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The Collective Mind of Society: Collective Memory
Term | Collective Memory (Social Memory) | ||||||||
|---|---|---|---|---|---|---|---|---|---|
Origin | 1920s / France | ||||||||
Pioneering Founder | Maurice Halbwachs (Sociologist) | ||||||||
Developing Actor | Jan Assmann | ||||||||
Primary Focus | The social construction of remembering and forgetting | ||||||||
Individual Memory | Internal / Personal memories / Biological function | ||||||||
Collective Memory | External / Group-based sharing / National identity | ||||||||
Historical Memory | Objective records / Chronological data | ||||||||
Relationship Form | Continuous and dynamic interaction cycle | ||||||||
Primary Theorist | Pierre Nora | ||||||||
Key Concept | Memory Sites (Lieux de mémoire) | ||||||||
Urban Reference (Aldo Rossi) | "City = Collective Memory Itself" | ||||||||
Social Media | Digital memory abundance / User testimonies / Instant transmission | ||||||||
Political Function | Group identity construction / Source of legitimacy | ||||||||
Psychological Impact | Sense of place / Bond of belonging | ||||||||
Threat Elements | Physical decay / Spatial name changes | ||||||||
Outcome Output | Cultural heritage / Continuity of past-present-future | ||||||||
Collective memory: is a concept that argues the processes of remembering and forgetting by individuals who constitute a society are shaped within a social framework, that memory is constructed through social relations and continuously reproduced.【1】 This approach asserts that memory is not merely a biological function of the individual brain, but that the act of remembering occurs through social cues, materials, and contexts.【2】 First developed in the 1920s by French sociologist Maurice Halbwachs, this theory emphasizes that individual memory cannot be defined without social frameworks and that all acts of remembering are social productions.【3】 Jan Assmann, meanwhile, defines collective memory as an interactive phenomenon containing knowledge transmitted across generations and guiding a society’s experiences within its interactional framework.【4】

Visual Related to Collective Memory (Generated by Artificial Intelligence)
There is continuous and regular communication between collective memory and individual memory. While individual memory is associated with more internal and personal recollections, collective memory transcends the individual and presents a national and external structure shared by groups. Halbwachs identified two additional types of memory—individual memory and historical memory—alongside collective memory, emphasizing their constant interaction.【5】 Collective memory occupies a position that shapes individual memories and situates them within specific social patterns. Moreover, unlike history, collective memory does not approach events from a single perspective; it allows for the formation of multiple memories of the same event depending on the positions and relationships of social groups.【6】

Visual Related to Collective Memory (Generated by Artificial Intelligence)
Time and space play decisive roles in the construction and transmission of collective memory. The concept of “memory spaces,” introduced into the literature by Pierre Nora, encompasses all objects, structures, or abstract values that fix traces of the past and trigger remembrance.【7】 Urban spaces rank among the most powerful memory spaces due to their capacity to host social events and contain physical artifacts. Aldo Rossi defines the city as “the collective memory itself,” arguing that architectural structures and urban components serve as tangible evidence carrying the traces of the past.【8】 Structural components that shape the urban image—such as city squares, monuments, parks, and historic buildings—nurture urban memory by housing the shared experiences of the society.

Visual on the Role of Media in Memory Construction (Generated by Artificial Intelligence)
In contemporary society, media outlets function as strategic memory spaces due to their capacity to reach broad segments of the population in the construction and transmission of collective memory.【9】 Media reconstructs the past and directly influences how this past is remembered, through news reports, fictional productions, films, and television series.【10】 Traditional media channels implement a systematic memory construction through editorial processes, while social media platforms offer a new domain characterized by direct user participation, the transmission of testimonies, and the emergence of a digital abundance of memory. This function of media is particularly critical in transmitting social traumas and ensuring intergenerational continuity of memory.

Visual on Identity Construction and Sustainability (Generated by Artificial Intelligence)
Collective memory is regarded as a political instrument that grants legitimacy to societies and constructs group identity.【11】 The reconstruction of the past according to present realities and needs determines how societies define their own identities. This dynamic relationship between memory, space, and social culture enables individuals to perceive themselves as part of the environment they feel they belong to. Preserving the physical structures and social practices that constitute urban identity is essential for the sustainability of collective memory; because the destruction of these structures or the alteration of their names leads to the loss of urban memory and undermines social continuity.【12】 In conclusion, collective memory is a fundamental mechanism that bridges a society’s past, present, and future, sustaining its identity and cultural heritage.
Kısakürek, Şule, and Esra Bayazıt. "Collective Memory Urban Memory and Spatial Components in the City Identity: Kahramanmaraş City Example." *Journal of Environmental and Natural Studies* 2, no. 2 (2020): 1–21. Accessed June 15, 2026. https://dergipark.org.tr/tr/pub/jenas/article/848564
Uzun, Bünyamin. "Kolektif Bellek ve Medya ile İlgili Çalışmaların Bibliyometrik Analizi." *Korkut Ata Türkiyat Araştırmaları Dergisi*, no. 14 (2024): 1518-1532. Accessed June 15, 2026. https://search.trdizin.gov.tr/tr/yayin/detay/1199172
Yolalan, Necmiye Seçil, and Ayşen Çelen Öztürk. "Kolektif Bellek Mekânı Olarak Meydanların Zihin Haritaları Üzerinden Analizi: Ankara Kızılay Meydanı." *Eksen Dokuz Eylül Üniversitesi Mimarlık Fakültesi Dergisi* 1, no. 2 (2020): 1–15. Accessed June 15, 2026. https://dergipark.org.tr/tr/pub/eksen/article/841116
Çekindir, Hande Yıldız and Selin Aktan Ábrahám. "Kent Kimliği ve Kolektif Bellek İlişkisi." *Kemeraltı/Akademik.*, pp. 26-32. Accessed June 15, 2026. https://www.academia.edu/74439563/Kent_Kimligi_ve_Kolektif_Bellek_Iliskisi
[1]
Bünyamin Uzun, "Bibliometric Analysis of Studies on Collective Memory and Media," Korkut Ata Türkiyat Araştırmaları Dergisi, no. 14 (2024): 1518, https://dergipark.org.tr/tr/download/article-file/3282374
[2]
Hande Yıldız Çekindir and Selin Aktan Ábrahám, "The Relationship Between Urban Identity and Collective Memory," Kemeraltı/Akademik, 26, https://www.academia.edu/74439563/Kent_Kimligi_ve_Kolektif_Bellek_Iliskisi
[3]
Uzun, “Kolektif Bellek ve Medya,” 1520.
[4]
Çekindir and Ábrahám, “Kent Kimliği ve Kolektif Bellek İlişkisi,” 27.
[5]
Uzun, “Kolektif Bellek ve Medya,” 1519.
[6]
Uzun, “Kolektif Bellek ve Medya,” 1519.
[7]
Uzun, “Kolektif Bellek ve Medya,” 1519.
[8]
Necmiye Seçil Yolalan and Ayşen Çelen Öztürk, "Analysis of Squares as Collective Memory Spaces Through Mental Maps: Ankara Kızılay Square," Eksen Dokuz Eylül Üniversitesi Mimarlık Fakültesi Dergisi 1, no. 2 (2020): 3, https://dergipark.org.tr/tr/pub/eksen/article/841116
[9]
Uzun, “Kolektif Bellek ve Medya,” 1519.
[10]
Uzun, “Kolektif Bellek ve Medya,” 1522.
[11]
Uzun, “Kolektif Bellek ve Medya,” 1520.
[12]
Şule Kısakürek and Esra Bayazıt, "Collective Memory Urban Memory and Spatial Components in the City Identity: Kahramanmaraş City Example," Journal of Environmental and Natural Studies 2, no. 2 (2020): 3, https://dergipark.org.tr/tr/pub/jenas/article/848564

The Collective Mind of Society: Collective Memory
Term | Collective Memory (Social Memory) | ||||||||
|---|---|---|---|---|---|---|---|---|---|
Origin | 1920s / France | ||||||||
Pioneering Founder | Maurice Halbwachs (Sociologist) | ||||||||
Developing Actor | Jan Assmann | ||||||||
Primary Focus | The social construction of remembering and forgetting | ||||||||
Individual Memory | Internal / Personal memories / Biological function | ||||||||
Collective Memory | External / Group-based sharing / National identity | ||||||||
Historical Memory | Objective records / Chronological data | ||||||||
Relationship Form | Continuous and dynamic interaction cycle | ||||||||
Primary Theorist | Pierre Nora | ||||||||
Key Concept | Memory Sites (Lieux de mémoire) | ||||||||
Urban Reference (Aldo Rossi) | "City = Collective Memory Itself" | ||||||||
Social Media | Digital memory abundance / User testimonies / Instant transmission | ||||||||
Political Function | Group identity construction / Source of legitimacy | ||||||||
Psychological Impact | Sense of place / Bond of belonging | ||||||||
Threat Elements | Physical decay / Spatial name changes | ||||||||
Outcome Output | Cultural heritage / Continuity of past-present-future | ||||||||
Theoretical Foundations and the Relationship Between Types of Memory
Spatial Dimension: Memory Spaces and Urban Memory
The Role of Media in Memory Construction
Identity Construction and Sustainability