This article was automatically translated from the original Turkish version.
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Dival işi is a decorative craft that finds rare examples in traditional Turkish women’s clothing, with original samples gradually diminishing. Today, it is being preserved by Maturation Institutes and girls’ technical schools. This technique, also known as "Maraş işi," "sim-sırma işi," "mukavva işi," "basdırma," and "mıhlama," is a single-sided embroidery applied to tightly woven fabrics or leather, producing a surface that differs on its reverse side. This art form, used across diverse domains from imperial garments to home décor, holds an important place among traditional Turkish handcrafts.
The history of Turkish embroidery draws from a layered heritage extending from Central Asia through Islamic and Anatolian civilizations, with the earliest examples of dival işi emerging during the Seljuk period. Thanks to the economic vitality of the Maraş region, advancements in gold and silver threadwork led to the technique being branded as "Maraş işi." In the 14th century, it was introduced to the Ottoman court through the trousseau of Emine Hatun, solidifying its place among court arts. During the 15th and 16th centuries, when decorative arts flourished, this technique appeared widely across items ranging from kaftans to book covers under the name "zerduz işi." In the 17th and 18th centuries, its applications expanded significantly, and by the 19th century, it evolved further with the addition of intricate details such as light-and-shadow effects and small metallic sequins resembling caterpillars, introduced during the reign of Mahmud II. Although the number of master artisans declined somewhat after the proclamation of the Republic, dival işi continues to be preserved today through traditional methods, practiced by both amateur and professional artisans in homes, schools, and official institutions as a cultural legacy.

Çamlıca Camii Sanat Atölyesi, Beze İşlenmiş Dival İşi Sanatı (Fotoğraf: Ahsen Buyurkan)
Dival işi belongs to the group of techniques known as "atma iğneler", in which the warp and weft threads are covered. The most distinctive feature of this technique is the use of auxiliary layers that give the patterns a three-dimensional appearance.

Dival İşi Sanatı Yapım Süreci (Anadolu Ajansı)
Dival işi has a wide range of applications in both clothing and utilitarian objects:
History and Development
Technical Features and Production Stages
Tools and Materials
Production Process
Applications