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Pazırık Kurgans are monumental burial structures left by nomadic groups who lived in the Altai Mountains and surrounding regions during the 5th and 4th centuries BCE, known in archaeological literature as the Pazırık culture.
The kurgans are located today in the eastern part of the Upper Altai region within the Gorno-Altai Region of the Russian Federation, near the border with Tuva, around the Big Ulagan Valley. To date, more than 600 kurgans have been identified across over 135 burial sites.

Internal Layout of the Kurgans (Mazhar Narşap)
The area where the kurgans are located experiences low annual temperature fluctuations and long, harsh winters. The thin snow cover and low temperatures caused water seeping into the kurgans to freeze, preserving organic materials in the exact condition they were in at the time of burial. Architectural and burial traditions show cultural continuity with Proto-Turkic and early Turkic peoples and exhibit strong connections to the Scythian world.
Artifacts recovered from the Pazırık kurgans are currently exhibited at the Hermitage Museum in Saint Petersburg, Russia.
The first surface survey of the region was conducted by Messerschmidt in 1722. The first scientific excavations, carried out by S. I. Rudenko in 1924, revealed the Pazırık culture and were later accelerated by the excavations of M. Gryaznov. The finds from these excavations showed typological similarities with Scythian kurgans north of the Black Sea; due to weapons, horse harnesses and animal-style artworks, the culture was classified as part of the Scythian/Saka world.
In 2005, international projects in the Bayan-Ölgii region of Mongolia (led by Molodin, Törbat, Parzinger and others) identified numerous new Pazırık kurgans, with excavations at the Baga Türgen Gol site standing out.

Appearance of the Kurgans Before Excavation (Mazhar Narşap)
Pazırık Kurgans are typically aligned north-south in a chain-like arrangement. They were generally constructed on sacred sites such as mountain slopes, highland pastures and riverbanks. The kurgans form monumental burial complexes consisting of stone mounds, circular stone fences or shallow ditches surrounding them, altars on the west and rows of balbals on the east.
Chambers were entirely constructed of wood, with carpets hung on the walls and the deceased placed inside along with their belongings. Chambers were typically built at the bottom of the burial pit; horses were buried just outside but adjacent to the chamber.
A large kurgan dated to the 4th–3rd centuries BCE, excavated in the Pazırık burial ground of the Altai Mountains and one of the most famous examples of the Pazırık culture. The chamber contains both human and horse burials.
This kurgan was excavated in 1929 by Russian archaeologist S. I. Rudenko and gained fame as one of the world’s best-preserved frozen tombs. Due to the chamber being encased in permafrost, wooden, felt, leather and textile artifacts have been exceptionally preserved.【1】

Deer-Horned Horse Mask from the First Pazırık Kurgan (Yunus Ekim)
The artifacts from the First Pazırık Kurgan clearly demonstrate the dual role of the horse in steppe culture—as both a means of transport and a ceremonial object. Rich animal-style decorations reflect the artistic sensibility of the Pazırık culture and provide important insights into the craftsmanship of the period. Thanks to the frozen soil, organic materials and textiles have reached the present day without deterioration.
The Second Pazırık Kurgan is located in the Pazırık burial ground of the Altai Mountains. It was discovered in 1947 by Russian archaeologist S. I. Rudenko. The tomb had been looted in antiquity, with bodies dismembered and valuable items removed, yet many artifacts remained preserved.

Headdress Made of Leather, Fur and Gold from the Second Pazırık Kurgan (Yunus Ekim)

Kumis Vessel from the Second Pazırık Kurgan (Yunus Ekim)
The finds shed light on the clothing culture, ritual practices and artistic understanding of steppe societies. Wooden furniture and carpets demonstrate the craftsmanship and aesthetic sensibilities of the period.
A large kurgan located in the Pazırık burial ground of the Altai Mountains, excavated by S. I. Rudenko in the 1940s. It contains both human and horse burials.

Griffin-Headed Bridle Parts from the Third Pazırık Kurgan (Yunus Ekim)
The artifacts from the Third Pazırık Kurgan exemplify the steppe animal style. Particularly, wooden and bone craftsmanship combined with gold leaf decorations reveal how artistic and ceremonial elements were integrated within Pazırık culture. The detailed animal figures on horse harnesses reflect the economic, military and symbolic importance of the horse in steppe societies.
A large kurgan located in the Pazırık burial ground of the Altai Mountains, exhibiting typical features of the Pazırık culture. Excavations were conducted by S. I. Rudenko.

Horse Bridle Part with Animal Figures from the Fourth Pazırık Kurgan (Yunus Ekim)
The figures and decorated horse harnesses from the Fourth Pazırık Kurgan are significant for documenting the ceremonial and practical use of the horse in Pazırık culture. Animal-head motifs reveal the symbolic language of Altai steppe art and the close relationship with nature.
A large burial mound of the Pazırık culture located in the Pazırık burial ground of the Altai Mountains, excavated in 1949 under the leadership of S. I. Rudenko. Thanks to frozen soil conditions, organic materials have been exceptionally preserved, and this kurgan gained worldwide fame particularly for the Pazırık Carpet.

Detail of the Carpet from the Fifth Pazırık Kurgan (Yunus Ekim)

Horse Mask from the Fifth Pazırık Kurgan (Yunus Ekim)
The Fifth Pazırık Kurgan reveals the aesthetic understanding, craftsmanship and symbolic values of steppe communities in terms of both art history and archaeology.

Pazırık Carpet (Bülent Yılmaz)
Dated to the 5th and 4th centuries BCE, the Pazırık Carpet is the world’s oldest known knotted carpet. Associated with the Hun or Scythian communities, it features four-leaf botanical motifs arranged in a checkerboard pattern at its center, and borders depicting deer, lions, griffins and horse-riding humans. The background uses dark red, as well as brown, yellow, navy blue, light blue and cream colors. Due to its symmetric knotting technique, the carpet is regarded as the first Turkish carpet.【3】

Chariot from the Fifth Pazırık Kurgan (Luzia Kılıç)
The Pazırık Kurgans constitute an important archaeological site representing the Early Iron Age steppe culture of the Altai region. The finds provide detailed information on the material culture, artistic production and burial traditions of horse-riding nomadic groups. The exceptional preservation of organic materials renders the site of significant importance in world archaeology.
[1]
Abdülkadir İnan, “İkinci Pazırık Kurganı”, BELLETEN 16, sy. 61 (Ocak 1952): 137. https://dergipark.org.tr/tr/pub/ttkbelleten/issue/79296/1336680
[2]
Mazhar Narşap, "Pazırık Kurganlarının Kalıntı ve Buluntularına Göre Bozkır Kavimlerinde Sosyal Hayat", Bellek Uluslararası Tarih ve Kültür Araştırmaları Dergisi, 5(2), (2023): 128. https://doi.org/10.52735/bellek.1405162
[3]
Bülent Yılmaz, "Pazırık’tan Günümüze Türk Halı Sanatı", Oğuz-Türkmen Araştırmaları Dergisi, 1(1), (2018):102. https://dergipark.org.tr/tr/pub/otad/issue/35223/376971#article_cite
Discovery and Research
Architectural Features
Main Pazırık Kurgans
First Pazırık Kurgan
Architectural Features
Artifacts
Cultural Significance
Second Pazırık Kurgan
Architectural Features
Artifacts
Cultural Significance
Third Pazırık Kurgan
Architectural Features
Artifacts
Cultural Significance
Fourth Pazırık Kurgan
Architectural Features
Artifacts
Cultural Significance
Fifth Pazırık Kurgan
Architectural Features
Artifacts
Cultural Significance
Pazırık Carpet