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Post Production

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Post-production is the process that begins after the shooting and recording phases of a film, video, or digital media project are completed and finalizes the project. This process involves combining raw image and audio materials to create a unified whole. Video production essentially consists of three phases: pre-production, production, and post-production. Post-production is considered the final phase of this process and ensures the content is ready for presentation to the audience. Numerous technical and creative processes are carried out during this phase, including editing, montage, sound design, visual effects, and color correction.

Editing and Montage

While editing and montage, the foundations of postproduction are often used interchangeably since there is a conceptual difference. Editing refers to the creative process that determines the narrative structure, flow, and rhythm of a project. It is the stage in which the director or editor decides how to combine the scenes shot according to the script and the intended emotion. Montage, on the other hand, is the technical implementation of these editing decisions, that is, the cutting and combining of image and audio files using specific software. While editing is concerned with how the story will be told, montage is the actual creation of that narrative.


The editing process typically begins with a script analysis. The editor examines the script to understand the story structure, character development, and key moments. The raw footage (dailies) is then reviewed and the best shots are selected. During this process, a draft, known as "off-line editing," can be created. In off-line editing, lower-quality copies (proxies) are used instead of the original high-resolution files. This method both prevents the original material from deteriorating and allows editing systems to run faster. Once the draft is approved, the "on-line editing" phase begins, where the low-resolution images are replaced with the originals to create the final, high-quality version of the project.


Editing varies depending on the type of project. While a feature film's editing focuses on character and structure, a commercial's editing aims to achieve maximum impact in a short time. Documentary editing often requires building a story from existing footage, while social media videos aim to instantly capture the viewer's attention with fast-paced transitions. Multi-camera shoots, such as interviews, concerts, or events, utilize multi-angle editing techniques, which synchronize footage from different angles and select appropriate moments.


About the Post Production Process (Created with Artificial Intelligence)

Stages of the Post Production Process

Post-production, alongside editing and montage, encompasses a range of specialized fields that elevate a project's visual and audio quality. These stages are executed in harmony to ensure project integrity and achieve the desired impact on the audience.

Sound Design and Editing

Sound is as crucial to a video's atmosphere and emotional impact as the visuals. Sound design is the process of creating the project's auditory world. This process includes the following components: dialogue editing, voice-over, sound effects (SFX), foley, and music. The first step is cleaning up the dialogue, adjusting the sound levels, and making it understandable. Sound effects include artificial sounds like explosions and door slams, while foley consists of natural sounds like footsteps and the rustle of fabric, created in sync with the characters' movements. The selection and integration of music reflects the spirit of the project and fosters an emotional connection with the audience. Finally, all these sound layers (dialogue, music, and effects) are combined for mixing, creating a balanced final soundtrack. It's also crucial that the music and sound effects used at this stage comply with copyright regulations.

Visual Effects (VFX)

Visual effects (VFX) is the process of digitally creating or manipulating images that would be impossible or prohibitively expensive to achieve during filming. VFX encompasses a wide range of techniques, from the flames of a gun to the creation of a world behind a character filmed on green screen. Animations, digital characters, object removal, explosion effects, and simulations are examples of this field. These processes are often specialized, requiring high-performance computers and specialized software like Adobe After Effects.

Color Editing and Grading

Color is one of the tools that determines the atmosphere and psychological impact of an image. Color processing in post-production falls into two main categories: color correction and color grading.


Color Correction: This is the technical part of the process. It's the process of harmonizing images taken at different times, under different lighting conditions, or with different cameras by balancing their color, contrast, and brightness values. The goal is to create consistency across scenes and eliminate color variations that could distract the viewer. For example, this process ensures that skin tones appear uniform across shots of a scene taken from different angles.


Color Grading: This is the creative and artistic part of the process. After color correction, the colors are artistically manipulated to give the film a specific aesthetic and emotional tone. For example, a thriller might use cool, pale blue tones, while a romantic comedy might prefer warm, vibrant colors. This process establishes the project's visual identity and enhances the story's emotion. Specialists in this field are called "Colorists," and this process is performed on specially calibrated monitors that allow for accurate color reproduction.

Post-Production in Art Theory: Nicolas Bourriaud's Perspective

Beyond its technical meaning in the worlds of film and television, the term "post-production" was adapted to contemporary art by French art theorist Nicolas Bourriaud . Bourriaud used the term to describe the period after the production and execution of an artistic work. From his perspective, post-production offers an approach that considers the effects that occur after the production of an artwork.


Bourriaud argues that contemporary art no longer creates a form from raw material but instead works with works or cultural products already in circulation in the cultural marketplace . This demonstrates that art has moved beyond the concept of "appropriation art" toward a culture of form-using and sustained activity. Bourriaud's post-production artist acts like a DJ or programmer, selecting cultural objects and placing them in new contexts.

The Importance and Purpose of Post Production

Post-production is the process where a project is not only technically completed but also artistically defined. The primary objectives of this phase are quality control, enhancing storytelling, and delivering a professional aesthetic. Minor errors or undesirable situations that arise during production are often corrected during this phase, often with the "we'll fix it in post" mentality. Actions such as removing an unwanted object from an image or cleaning up noise in the audio directly improve the project's quality.


Post-production is also where the final touches are made, adding meaning and emotion to the raw material. The rhythm of the editing, the atmosphere created by the sound design, and the psychological impact of the colors connect the audience to the project. A well-executed post-production process enhances the professional appearance of the content, strengthening the brand image and creating a strong impact on the target audience.

Bibliographies

Oğuz, Erdem. “From Appropriation to Postproduction: The Yasumasa Morimura Example.” Idil Sanat Ve Dil Dergisi, 2017. doi:10.7816/IDIL-06-39-25. https://www.academia.edu/122874390/From_Appropriation_to_Postproduction_The_Yasumasa_Morimura_Example


Tekin, Abdül. (2019)." The Relationship Between Artwork and Memory ." IBAD Journal of Social Sciences, Special Issue, 486–496. Accessed 26 October 2025. https://dergipark.org.tr/en/download/article-file/817810


Kahraman, Baran . " Virtual Production and Cinematic Meaning as a Reversal Process in Filmmaking ." International Journal of Social Sciences and Arts Research , 3(1), 54–65. Accessed 26 October 2025. https://dergipark.org.tr/tr/pub/issar/issue/87649/1565709

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Main AuthorNursena ŞahinOctober 26, 2025 at 12:03 PM
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