This article was automatically translated from the original Turkish version.
In the pantheon of the Hittites, one of the ancient peoples of Anatolia, the Sun Goddess of Arinna is one of the foremost divine beings in the state religion. She occupies the head of the pantheon alongside her commonly accepted consort, the Storm God. Revered as both a sky goddess and a deity associated with the underworld, she was regarded as the protector of the monarchy, the provider of justice, and the foundation of the state’s continuity.

The Chief Goddess of the Hittite Pantheon, Arinna, Seated on Her Sacred Animal, the Lion (Generated by Artificial Intelligence)
The Sun Goddess of Arinna traces her origins to the indigenous Hattian people of Anatolia. Her original Hattic name was Wuru(n)šemu. After being adopted by the Hittites, she became known by the name of Arinna, the city that served as her cult center. In texts she is described with epithets such as “Queen,” “Mother,” “She Who Sheds Light,” “Queen of the Heavens,” “Queen of All Lands,” and “Mistress of the Hatti Land.”
The goddess possesses a dual character. By day she traverses the heavens, representing justice and illumination; at sunset she descends into the underworld, where she continues her journey through the night. For this reason she is also regarded as a “chthonic” or “earth” goddess and is associated with funerary rites. In some texts her name is used interchangeably with that of the Mesopotamian underworld goddess Ereškigal.
The cult of the Sun Goddess of Arinna extends back to the pre-Hittite Hattian period. Her presence becomes clearly evident in the earliest Hittite written sources, particularly in the annals of Hattušili I (c. 1650–1620 BCE), one of the founders of the Old Hittite Kingdom. In these texts Hattušili I identifies himself as “beloved by the Sun Goddess of Arinna” and addresses her with the title “Hâkimem” (GAŠAN-IA). He also records enriching her cult with spoils acquired during his military campaigns.
During the Hittite Imperial Period, the goddess’s position in the state pantheon became even more central. Particularly under the reign of Hattušili III and Queen Puduhepa in the 13th century BCE, a policy of simplification and syncretism—merging deities with similar attributes—was pursued. Within this framework, goddesses from diverse origins but sharing comparable characteristics were assimilated under the identity of the Sun Goddess of Arinna.
The divine figure most closely identified with her during this period was the Hurrian goddess Hepat. Queen Puduhepa, daughter of a priestess from Kizzuwatna (a Hurrian region), sought to elevate Hepat, her people’s chief goddess, to the highest rank within the Hittite state cult. This is reflected in a prayer text attributed to Puduhepa:
"Sun Goddess of Arinna, my lady, you are queen of all lands. You have taken for yourself the name Sun Goddess of Arinna in the land of Hatti, and in the land of Sedir you have taken for yourself the name Hepat..."
This identification is also reflected in the reliefs of the open-air sanctuary at Yazılıkaya near Hattusa. At the head of the procession of gods stands the goddess Hepat, depicted seated on a lion. However, some scholars argue that Hepat lacked solar attributes and that this fusion was a politically motivated imposition rather than a natural theological development.
During this period the Sun Goddess of Arinna was also associated with the Mesopotamian goddess of love and war, Ishtar (Hurrian: Šaušga). Common iconographic elements—particularly their shared association with lions and martial characteristics—likely formed the basis of this connection.
After the collapse of the Hittite state, the attributes of the Sun Goddess of Arinna continued to influence other goddesses worshipped in Anatolia. The local goddess of Kargamish, Kubaba, rose to the status of chief goddess during the Late Hittite city-states period. Kubaba’s iconography and identity as a “mother goddess” show strong parallels with Hepat. It is widely accepted that the cult of Kubaba spread westward and transformed into the Phrygian chief goddess Kybele. The cult of Kybele was later adopted by the Lydians, Greeks, and Romans.
The solar cult generally tended to be confined not to the entire population but to a select elite, such as the ruling class. The cult of the Sun Goddess of Arinna exemplifies this pattern.
The Sun Goddess of Arinna was regarded as the protector and guide of the Hittite royal family. Hittite kings used the title DUTUŠI【1】 , meaning “My Sun,” signifying a bond of identification between the king and the sun (deity). The king and queen were considered the chief priest and chief priestess of the goddess on earth. She was believed to assist the king and his army in battle, and victories were attributed to her favor.
Hittite queens also maintained a special relationship with the goddess. Evidence suggests that upon death, queens were identified with her and referred to as the “Sun Goddess of Arinna.” In one text, deceased queens such as Vallani, Nikkalmati, and Ašmunikal are listed alongside the Sun Goddess of Arinna.
Major festivals and ceremonies were held at specific times of the year in honor of the goddess. It was believed that neglecting these rites would bring disaster upon the kingdom. The principal festivals include:
[1]
Tülin Bozkurt Cengiz, “Hitit Krallığında Arinna’nın Güneş Tanrıçası kültü,” Tarih Araştırmaları Dergisi 37, sy. 64 (Ekim 2018): 130, Erişim 28 Haziran 2025, https://dergipark.org.tr/tr/download/article-file/780825#page=6.
[2]
Cengiz, “Hitit Krallığında Arinna’nın Güneş Tanrıçası kültü,” 134, https://dergipark.org.tr/tr/download/article-file/780825#page=10.
[3]
Cengiz, “Hitit Krallığında Arinna’nın Güneş Tanrıçası kültü,” 135, https://dergipark.org.tr/tr/download/article-file/780825#page=11
[4]
Cengiz, “Hitit Krallığında Arinna’nın Güneş Tanrıçası kültü,” 135, .
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Definition and Characteristics
Historical Development
Origins and Early Period
Imperial Period and Syncretism
Post-Hittite Influences
Cult and Worship
Relationship with the Monarchy
Festivals and Rituals
Iconography and Symbols