The Anatolian Storm God is a central figure in the ancient cultures of Mesopotamia and Anatolia, a divine entity representing power, fertility, and sovereignty. He was worshipped as the chief god, or one of the most active characters in the pantheon, by many Anatolian civilizations, most notably the Hittites, as well as the Hattians, Hurrians, and Luwians. His influence continued in subsequent cultures such as Urartu, Greece, and Rome, and he has survived with different identities in folk beliefs and mythologies over time.

^{Depiction of the Anatolian Storm God Teşup (Created with Artificial Intelligence)}

Definition and Naming

The Anatolian Storm God took on various names according to the culture and language in which he was worshipped. These names are a result of cultural interaction. The known names for this deity in the Hittite pantheon are as follows:

Hattic: "Taru"
Luwian: "Tarhunt(a)" or "Datta"
Hieroglyphic Luwian: "Tarhu(i/nda/nzas/nt(a))"
Hurrian: "Teşup" or "Humunna/i"
Akkadian (Mesopotamia): "Adad"

In Hittite cuneiform texts, the name of this god was generally written with the Sumerian-derived ideograms ^DU or^DIŠKUR^DIM. The name "Tarhunt," meaning "The Conqueror" in Luwian, is based on the Hittite verb "tarh-," which means "to conquer, to defeat," and it is thought that the form "Tarhuna" was used among the Hittites.

Origin and Historical Development

The origins of the Storm God cult extend to the pre-Hittite period. The bull cult was an element attributed with sanctity in Mesopotamia and Anatolia since the Neolithic Age. In centers like Çatalhöyük, bull heads symbolizing power adorned cult buildings.

When the Hittites arrived in Anatolia, they inherited many cultural and religious elements from previous peoples like the Hattians. At the same time, they adopted mythological and religious concepts from Babylon along with writing. The Hittite religion, therefore, represents a synthesis of traditions from different cultures. As part of this synthesis, the Storm God combined the characteristics of the Mesopotamian Adad and local Anatolian deities.

In Old Hittite period texts (c. 1650–1400 BCE), he holds the first rank in the pantheon as the "Storm God of Hatti" or the "Storm God of Heaven". During the Hittite Empire period (c. 1460–1190 BCE), as a result of increased relations with Syria and Mesopotamia, the Hurrian identity of Teşup and its associated myths (like the Kumarbi Cycle) gained prominence. In this process, the Storm God Teşup, together with his consort the Sun Goddess Hepat, was placed at the apex of the pantheon.

Iconography and Symbolism

In Hittite art, depictions of the Storm God are shaped around specific symbols and characteristics. These depictions reflect the god's power, his dominion over nature, and his warrior identity.

Anthropomorphic (Human-shaped) Depictions

The Storm God is generally depicted as a muscular, majestic, and bearded male figure. He wears a horned headdress, a sign of divinity. His clothing, in typical Hittite fashion, consists of a skirt reaching above the knees and shoes with curled-up toes.

Animal Symbolism

The Bull: The bull is the Storm God's most well-known sacred animal and symbol. This connection can be associated with the bull's power, loud voice, fertility, and virility. In artistic depictions, the Storm God is seen with the bull in various ways:
Standing on the back of a bull.
Driving a chariot pulled by bulls.
Represented directly in the form of a bull statue or a rhyton (ceremonial drinking vessel). The bull figure standing alone on an altar in the Alacahöyük orthostats and the İnandık Vase is an example of this type of representation. At Kuşaklı (ancient Šarišša), findings belonging to the sacred bulls of the Storm God have been unearthed.

The Lion: The Storm God is also sometimes depicted with the goddess Hepat (or Ishtar), whose sacred animal is the lion, or alone on a lion.

Weapons and Attributes

The warrior identity of the Storm God is emphasized by the weapons he carries:

Mace (GIŠTUKUL): This is the god's most common weapon and symbolizes his power. In the Yazılıkaya reliefs and other depictions, the god is shown carrying his mace on his shoulder or brandishing it in the air.

Axe: In some depictions, particularly in local variants like the Storm God of Aleppo, an axe is seen as the god's weapon.

Lightning Bolt/Trident: This symbolizes the god's dominion over celestial events. The W-shaped hieroglyph (Laroche HH no. 199) is associated with this symbol.

Natural Elements and Other Representations

The Storm God is directly related to natural phenomena. He thus takes on different epithets such as "Storm God of Thunder," "Storm God of Lightning," or "Storm God of the Clouds". In art, he is often depicted standing on two mountain gods, which shows his connection to mountains. In smaller or poorer cult centers, the god was symbolized by a stela called a huuaši.

Cult and Worship

The cult of the Storm God was central to the Hittite state religion. The king and queen, in their capacities as high priest and high priestess, presided over ceremonies held in the Storm God's name.

Place in the Pantheon and Family

At the head of the Hittite pantheon is a divine couple: the Storm God and his consort, the Sun Goddess of Arinna (Hepat under Hurrian influence). It is known they had male offspring, such as the Storm Gods of Nerik and Zippalanda. In state documents like the Kadesh Treaty, the Storm God of Hatti is one of the most important deities upon whom oaths are sworn.

Sacred Places and Festivals

The Storm God had temples in many cities. Among these, centers such as Hattuša, Zippalanda, Nerik, Šarišša (Kuşaklı), Aleppo, and Kummanni stand out. The Yazılıkaya open-air sanctuary near Çorum was considered the "house of the Storm God," and it was believed that all the gods gathered there during the new year and spring ceremonies.

Numerous festivals and rituals were dedicated to this god. Among them were spring festivals for thunder and rain, harvest festivals, and new year celebrations called purulliia. In these ceremonies, sacrifices were offered to the god (oxen, sheep), libations were made, and hymns were sung to the accompaniment of music and dance.

Relationship with Kingship

According to Hittite belief, the land, the sky, the earth, and its people belonged to the Storm God. The king was the god's representative on earth and ruled the country in his name. Therefore, the king's legitimacy was based on a divine election. In texts, phrases such as "beloved of the Storm God" are used for the king. The king believed he won military victories with the help of the Storm God and would offer him votive gifts after a victory. For example, it is known that King Tuthaliya II dedicated a bronze sword to the Storm God after his victory against the land of Aššuua.

Traces and Continuity in Other Cultures

The cult of the Anatolian Storm God continued to exist in different civilizations after the Hittites.

Urartu: Teisheba, who ranks second in the Urartian pantheon, is a continuation of the Storm God Teşup. The fact that he is written with the ideogram of the Assyrian god Adad shows that he was also a storm and war god. In depictions, he is portrayed standing on a bull, just like the Hittite Storm God. His consort is the goddess Huba, who is related to Hepat.

Greece and Rome: The characteristics of the Storm God continued to live on in Zeus, the chief god of the Greek pantheon, and Juppiter, the chief god of the Roman pantheon. Both are father gods who rule over celestial phenomena (thunder, lightning, rain). Zeus's attributes, the eagle and the lightning bolt, show parallels with the symbols of the Storm God. The myth of Zeus abducting Europa in the guise of a bull can also be seen as a reflection of the bull cult.

Transformation in Folk Belief: Hacı Bektaş-ı Veli: According to some researchers, the image of the Storm God Teşup was transformed within Anatolian folk beliefs and re-emerged in the figure of Hacı Bektaş-ı Veli. This theory is based on the cultural continuity of mythological images.

A similarity is drawn between the depiction of gods on mountains and lions in Hittite reliefs and the depiction of saints on lions or inanimate walls (as a miracle, or keramet) in folk paintings.

Teşup's dominion over the forces of nature (lightning, storm) was transformed into Hacı Bektaş's power to perform miracles.

It has been suggested that the Storm God's consort, Hepat, may be a projection of the figure of Kadıncık Ana (Fatma Ana) in the legends of Hacı Bektaş. This view argues that ancient Anatolian beliefs continued their existence with new identities and narratives in the post-Islamic period.

The Storm God