This article was automatically translated from the original Turkish version.
The Universe 25 experiment was a rodent population study conducted by American behavioral ecologist John B. Calhoun between 1968 and 1972. Carried out at the National Institute of Mental Health (NIMH), the experiment aimed to investigate the effects of extreme population density on social structures. Calhoun expanded upon the phenomenon of “behavioral sink” he had observed in earlier experiments and designed this study as a “rodent utopia” in which mice had unlimited resources.
This study was built upon 24 previous similar experiments and contributed to ecological and behavioral dynamics by documenting how physical space constraints, despite abundant resources, led to social collapse. The experiment documented pathological behaviors emerging when population growth exceeded natural limits, shedding light on ecological and behavioral dynamics. However, its applicability to human societies has been debated and subjected to scientific criticism.
John B. Calhoun was born in Tennessee as the son of a high school principal and an artist. In his youth, he was an enthusiastic bird observer. After earning a doctorate in zoology, he joined the Rodent Ecology Project in Baltimore in 1946, conducting research aimed at controlling rodent pests. During this period, he established his first utopia for Norway rats in the woods behind his home and began investigating the factors triggering population growth.
Calhoun’s interests extended beyond rodent behavior to urban design; he imagined testing the concept of better cities—debated by architects and engineers—through rodent models.
In 1954, Calhoun moved to NIMH and designed controlled environments he called “rodent universes.” Universe 25 was the 25th and longest-running experiment in this series, extending the “behavioral sink” phenomenon observed in earlier trials to mice. Calhoun was influenced by leading figures in population ecology, W.C. Allee and Raymond Pearl, and assumed that extreme density triggered internal regulatory mechanisms.
The experiment was conducted within a closed space measuring 2.7 meters by 2.7 meters by 1.4 meters. It began in July 1968 with eight albino mice (four pairs) and featured the following characteristics:
Initially, the population grew rapidly; the first offspring were born after 3.5 months, and the population doubled every 55 days, reaching 2,200 mice by month 19. Calhoun recorded behavioral observations throughout, and the experiment was completed—unlike earlier trials—due to laboratory space limitations.
In the early stages of Universe 25, the mice exhibited normal reproduction and social behaviors. However, as population density increased, pathological changes emerged:
These results demonstrated that abundant resources alone do not ensure social balance; equilibrium depends on factors such as population density, individual freedom, and social roles.
Calhoun interpreted his findings using anthropomorphic terms, employing phrases such as “juvenile delinquents,” “social dropouts,” and “beautiful ones” (attractive mice engaged in excessive grooming). He argued that humanity might face a similar fate but emphasized that population growth also carries the potential for innovative solutions. Calhoun viewed his experiments not as “normal science” but as “process observation” and proposed applying the results to architectural design, such as planning layouts in prisons and hospitals to prevent overcrowding.
Edmund Ramsden and Jon Adams examined the cultural impact of Calhoun’s work; its popular success affected its scientific reputation. Simplified versions emphasized the message “density = pathology,” overshadowing positive aspects such as design improvements. Ramsden noted that Calhoun did not believe humanity was doomed; rather, he argued that the experiments showed how social interaction levels could be altered and improved through better design. However, population fears of the 1970s led to the experiments being used to justify population control policies.
Critics focused on the observational and subjective nature of the study. Ramsden highlighted that studies of human overcrowding have yielded inconsistent results and that density is linked to psychological factors such as individual autonomy and social roles. The experiment has also been ethically questioned for violating animal welfare standards. Moreover, the direct extrapolation of results to human societies has been deemed problematic due to species differences.
Universe 25 became a cultural symbol beyond scientific circles. Calhoun’s 1962 Scientific American article popularized the experiments and reflected anxieties about the population boom of the 1970s. His work found resonance in literature and media; for example, Tom Wolfe’s article “O Rotten Gotham! Sliding Down into the Behavioral Sink” equated New York City’s overcrowding with Calhoun’s “behavioral sink.” Comic books (e.g., Judge Dredd’s MegaCities), novels (e.g., Harry Harrison’s Make Room! Make Room!), and films (e.g., Soylent Green) have used the experiment as inspiration for dystopian visions of the future.
Although Universe 25 demonstrated that extreme density can lead to social pathologies, its applicability to human societies remains contested. Calhoun’s utopia transformed into a paradoxical dystopia, underscoring that resource abundance does not guarantee social stability. The experiment has left a legacy in terms of scientific methodology, ethics, and cultural reflection, but the complexity of human behavior limits direct extrapolations. Calhoun’s vision was as much about generating solutions as it was about identifying problems.
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Origins of the Experiment and Calhoun’s Background
Design and Implementation of the Experiment
Observed Results and Behavioral Changes
Scientific Interpretations and Criticisms
Cultural Impact and Metaphorical Uses
Comparison with Human Societies