Jean-Luc Godard (3 December 1930 – 13 September 2022) was a French-Swiss film director screenwriter and critic. He attained a prominent place in cinema history as one of the leading figures of the French New Wave (Nouvelle Vague) that emerged in the 1960s. Born in Paris Godard spent his childhood in Switzerland. He studied ethnology at the Sorbonne but left the university without graduating. In the early 1950s he worked as a film critic for the magazine Cahiers du Cinéma. His first feature film À bout de souffle (Breathless 1960) became one of the turning points of the New Wave movement.

Godard was married to actress Anna Karina from 1961 to 1965. This marriage was influential both personally and artistically; Karina starred in many of the director’s films throughout the 1960s. In 1967 he married actress Anne Wiazemsky; their relationship ended in 1979. During the 1970s he turned toward politically charged and collectively produced cinematic works. He spent most of his life in the Swiss town of Rolle. Godard preferred to live away from the media rarely gave interviews and adopted an independent stance toward traditional narratives of the film industry.

Godard’s films are known for techniques that questioned and disrupted classical cinematic narrative structures. These include jump cuts direct address to the camera split screens unexpected musical transitions and dense intertextual references. Political and philosophical themes became more pronounced in his work after 1968 with inquiries into capitalism war media social gender roles and the nature of cinema itself taking center stage. Throughout his career Godard consistently combined political discourse with formal innovation.

Jean-Luc Godard died on 13 September 2022 in Rolle Switzerland at the age of 91. His life ended through assisted suicide a method permitted under Swiss law. His death sparked widespread反响 in the cinematic world and prompted comprehensive reflections on the innovations he brought to cinema throughout his long career.

• À bout de souffle (Breathless) – 1960
• Le Petit Soldat – 1960 (released 1963)
• Une femme est une femme (A Woman Is a Woman) – 1961
• Vivre sa vie (My Life to Live) – 1962
• Les Carabiniers – 1963
• Le Mépris (Contempt) – 1963
• Bande à part (Band of Outsiders) – 1964
• Alphaville – 1965
• Pierrot le Fou (Crazy Pierrot) – 1965
• Masculin Féminin – 1966
• Made in U.S.A – 1966
• 2 ou 3 choses que je sais d’elle (2 or 3 Things I Know About Her) – 1967
• La Chinoise – 1967
• Week-end – 1967
• Tout va bien – 1972
• Numéro deux – 1975
• Sauve qui peut (la vie) (Every Man for Himself) – 1980
• Passion – 1982
• Prénom Carmen (Carmen) – 1983
• Je vous salue Marie (Hail Mary) – 1985
• Détective – 1985
• Nouvelle Vague – 1990
• Hélas pour moi – 1993
• Éloge de l’amour (In Praise of Love) – 2001
• Notre musique (Our Music) – 2004
• Film Socialisme – 2010
• Adieu au langage (Goodbye to Language) – 2014
• Le Livre d’image (The Book of Images) – 2018

• Opération béton – 1955
• Une histoire d’eau – 1961
• La Paresse – 1962
• Anticipation – 1967

He also contributed to various anthology films and short projects.

• Le Gai Savoir – 1969
• Ici et ailleurs – 1976
• Histoire(s) du cinéma – 1988–1998
• JLG/JLG – autoportrait de décembre – 1994

• Academy Honorary Award – 2010
• Berlin International Film Festival – Golden Bear for Alphaville in 1965; Berlinale Camera Honorary Award
• Venice Film Festival – Golden Lion for Prénom Carmen in 1983; Golden Lion for Lifetime Achievement
• Cannes Film Festival – Jury Prize for Adieu au langage in 2014; Special Golden Palm for Le Livre d’image in 2018
• Various nominations and awards from the European Film Awards and César Awards