This article was automatically translated from the original Turkish version.
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Instrument Type | Bowed string instrument | ||||||||
|---|---|---|---|---|---|---|---|---|---|
Origin | Turkish folk music tradition | ||||||||
Body (Hull) | Traditionally made from gourd; in modern applications, sliced or carved wooden hull | ||||||||
Number of Strings | Currently commonly has four strings | ||||||||
Cultural Context | Traditional instrument making transmitted through the master-apprentice tradition; especially prevalent in the Aegean region | ||||||||
Kabak kemane is a Turkish folk music instrument with a body traditionally made from a gourd, a skin-covered soundboard, and played with a bow. Among stringed and bowed instruments, it is distinguished by its use of animal skin as a soundboard covering. Historically, this instrument gained widespread popularity in Anatolia, particularly in the western and southwestern regions, and over time evolved from a regional instrument into one recognized and performed throughout Türkiye.

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The origins of the kabak kemane trace back to Central Asia. While the use of gourds in instrument making is found across a broad geographical area stretching from Asia to Africa, the instrument attained its most distinctive form in Türkiye. In Anatolia, it maintained continuity especially within Yörük Turkmen music and developed a vibrant performance tradition around the Teke Region. 【1】 The kabak kemane is related to the family of bowed string instruments and historically evolved from two-stringed forms into three- and eventually four-stringed variants. 【2】
The main components of the kabak kemane are the body (resonator), soundboard, neck, pegbox, strings, and bow. The body is crafted from a dried gourd and functions as a resonating chamber. The use of animal skin for the soundboard is considered the primary factor determining the instrument’s tonal quality.

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The construction of the kabak kemane involves gourd, animal skin, hard wood species, and strings. For the neck and pegbox, woods such as juniper, walnut, almond, and plum are preferred. The soundboard is most commonly made from the pericardium of cattle, although other animal skins may also be used.
In making the kabak kemane, a properly sized and thoroughly dried gourd is first selected. A section of the gourd is cut away and the inner surface is cleaned. Animal skin is stretched over the opening to form the soundboard. The neck is attached to the body via a metal or wooden rod that passes through the gourd; this component also enables the instrument to rest stably on the player’s knee. Over time, a technique using segmented wooden shells emerged as an alternative to the gourd body. However, the unique tonal character provided by the natural structure of the gourd cannot always be replicated with wooden shells.
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Historically a two-stringed instrument, the kabak kemane gradually evolved into three-stringed and later four-stringed versions. Today, four-stringed kabak kemanes are preferred in professional performance. String thickness and tuning systems vary depending on the melodic style being performed and the vocal range being accompanied.
The kabak kemane is widely used in the Teke Region and surrounding areas, encompassing the provinces of Antalya, Isparta, Burdur, and Muğla. In this region, the instrument is regarded as an essential element of Yörük Turkmen music. Through radio broadcasts and state-supported musical ensembles, the kabak kemane has gained recognition throughout Türkiye.

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The kabak kemane holds a unique place within the repertoire of Turkish folk music among plucked, bowed, and skin-covered instruments. Its adoption in educational institutions and state-supported musical ensembles has expanded its performance scope. Today, the kabak kemane has transitioned from being a regional instrument to a nationally recognized folk instrument.
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Accessed January 24, 2026.
Akyol, Arslan. "Kabak Kemanenin Dünü, Bugünü ve Yarını." İnönü Üniversitesi Kültür ve Sanat Dergisi 3, no. 1 (2017): 163–181. Accessed January 24, 2026.
Aydın Adnan Menderes Üniversitesi. "Ege’nin Kabak Kemane Ustaları." Accessed January 24, 2026.
T.C. Kültür ve Turizm Bakanlığı. "Kabak-Kemane." Kültür Portalı – Elazığ Kültür Atlası.
TRT 2. "Ahenk | Kabak Kemane | 5. Bölüm." YouTube. Accessed January 24, 2026.
TRT Avaz. "Kabak Kemanesiyle Ercan Köktürk – Yeni Gün." YouTube. Accessed January 24, 2026.
Visit İzmir. "Kabak Kemanenin Otantik Yolculuğu." Accessed January 24, 2026.
[1]
Arslan Akyol. “Kabak Kemanenin Dünü, Bugünü ve Yarını.” İnönü Üniversitesi Kültür ve Sanat Dergisi 3, no. 1 (2017): syf: 165.Erişim tarihi: 24 Ocak 2026.
[2]
Arslan Akyol. “Kabak Kemanenin Dünü, Bugünü ve Yarını.” İnönü Üniversitesi Kültür ve Sanat Dergisi 3, no. 1 (2017): syf: 163–164.Erişim tarihi: 24 Ocak 2026.

Instrument Type | Bowed string instrument | ||||||||
|---|---|---|---|---|---|---|---|---|---|
Origin | Turkish folk music tradition | ||||||||
Body (Hull) | Traditionally made from gourd; in modern applications, sliced or carved wooden hull | ||||||||
Number of Strings | Currently commonly has four strings | ||||||||
Cultural Context | Traditional instrument making transmitted through the master-apprentice tradition; especially prevalent in the Aegean region | ||||||||
Origins and Historical Development
Structural Features
Construction Materials
Construction Process
String Configuration and Tuning
Regional Distribution
Cultural Context