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Fotorealism (or photorealism) is an art movement that emerged in the United States in the 1960s. It is based on the production of paintings that aim to reflect reality with the utmost detail, using photographs as the primary visual source.
Fotorealist artists obtain their chosen imagery through photographs and then transfer these images onto canvas using techniques such as projection, airbrushing, and gridding. Unlike classical approaches based on direct observation, this movement emphasizes production mediated by visual tools.

Fotorealism (Generated by Artificial Intelligence)
Fotorealism developed alongside the Pop Art movement, which emerged in the mid-20th century as part of new explorations in artistic expression. While Pop Art artists appropriated imagery from mass media and reconfigured it on the canvas, fotorealism elevated this practice to a more technical level, establishing itself as an independent movement. Although fotorealism shares conceptual similarities with 19th-century Realism, it differs methodologically through its dependence on the photograph.
In terms of art philosophy, fotorealism has been the subject of debate, particularly regarding the concepts of "creativity" and "originality." Some critics have deemed the principle of fidelity to the photograph as limiting the artist's expressive range. However, in the fotorealist approach, the artist's selection of photographs, composition, technique, and stylistic application demonstrate that the work is not merely imitation but also carries the artist's individual interpretation.
Fotorealist artists employ various techniques to minimize the distinction between appearance and painted representation. These include the use of projection devices, airbrushing, and the grid method. While some artists within the movement transfer selected images to canvas without any alteration, others create original works by stylizing these images or composing them from multiple photographs.
Fotorealism shares certain common ground with historical movements such as Classicism and Orientalism. The sensitivity to proportion and harmony characteristic of Classicism finds its counterpart in fotorealistic works through technical precision and detailed representation. Orientalism, though not based on photography, exhibits partial overlap with fotorealism in its emphasis on visual accuracy in depiction.
Historical Background and Theoretical Foundations
Evaluation in the Context of Art Ontology
Technical Methods
Relationship with Other Art Movements