This article was automatically translated from the original Turkish version.
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Manuscript work culture refers to an ecosystem that encompasses not only written texts but also the entire process from their creation to their preservation. Throughout this process, the production, writing, decoration, binding, and protection of texts each require different areas of expertise and professional groups. The artisans and artists involved in the production of manuscript works did not merely fulfill a practical function; they also made significant contributions to the aesthetic and artistic value of these works. Some of these professions and specializations include:
Papermaker: Keğğâd, kâğıdî, kevâğidî. A person or artisan who produces paper—the primary material for manuscript works—performs quality control, and prepares various types of paper.
Parchment maker:Rekkâk, rukûkî. A specialist who transforms animal skins through special treatments into durable parchment surfaces suitable for writing.
Papyrus maker:Karâtîsî. A person who processes the stems of the papyrus plant to create surfaces suitable for writing, typically producing materials used in ancient manuscripts.
Burnisher: Sakkâl. An artisan who polishes and smooths writing surfaces to enhance both their aesthetic and functional qualities.
Pen case maker:Devvâ', devâtî. A person who manufactures or trades in sets of pens, ink, and pen cases.
Ink maker:Habbâr, hibrî. An artisan who produces ink of suitable color and consistency for high-quality writing, primarily using natural materials.
Knife maker: Sekkân, sekkâk. A specialist who produces specialized knives for shaping pens and other writing tools and maintains these instruments.

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Bookbinder:Müseffir, seffâr, musahhif. A person who covers books with materials such as leather or cardboard to protect them and give them an aesthetic appearance.
Book cover maker:Zarraf. A specialist who creates durable and ornate outer covers for books, blending art with craftsmanship.
Needle maker: Ebbâr, iberî. A person who produces and shapes the specialized sewing needles used in binding manuscript works.
Book sewer:Sârid, serrâd. A master who completes the binding process by sewing the pages together to hold them securely.
Leather splitter:Debbâğ. An artisan who cleans, processes, and prepares animal hides for use as binding material in manuscript works.
Painter: Sabbâğ. A person who prepares natural or synthetic pigments for binding and decoration, contributing to the visual appeal of manuscripts.

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Punctuation specialist:Zâbıt, nâkit, nakkât. A specialist who adds punctuation marks to enhance the meaning and readability of texts, particularly important in early Arabic manuscripts.
Red ink writer:Muhammir. A person who writes key sections of manuscript works in red ink to provide both aesthetic emphasis and functional guidance.
Collator:Mukâbil, mu'ârız. A specialist who checks the accuracy of manuscripts by comparing them with another copy of the same text and correcting errors.
Marginalia writer:Muhaşşî. A person who adds explanatory notes or commentary to the margins of a manuscript to guide the reader.

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Designer:Râsım, tarrâh.. An artist who creates the primary design of decorations and motifs in manuscript works and determines their overall composition.
Decorator/painter:Müzehhip or zehhâb. An artist who embellishes the margins and headings of manuscripts with gold leafing, emphasizing visual appeal.
Ornamentator:Zevvâk, müzahrif. An artisan who decorates the text and margins of manuscripts with intricate detailing.
Outliner:Muharrir. A person who defines the main outlines of illumination and miniature designs to prepare the final appearance of the manuscript.
Ruler:Mücedvil. A specialist who draws ruling lines to ensure the neat appearance of the manuscript and assist scribes in maintaining alignment.
Painter:Musavvir, nakkâş. An artist who illustrates manuscripts with miniatures, creating figurative and decorative drawings to visually complement the text.
Calligrapher: Güzel writing artistry, producing texts in an aesthetic manner and serving as one of the most important artists in manuscript production.

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Déroche, François. 2006. Islamic codicology: an introduction to the study of manuscripts in Arabic script. London.
Gacek, Adam. 2001. The Arabic manuscript tradition: a glossary of technical terms and bibliography. Leiden/Chicago.
Gacek, Adam. 2020. Guide to Arabic Manuscripts, Klasik Yayınları.

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Writing Surfaces and Tools
Bookbinding
Text
Illumination and Miniature Painting