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This article was automatically translated from the original Turkish version.

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Turkish Triangle

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The Turkish triangle is an architectural transition element developed in traditional Turkish-Islamic architecture to cover a square or rectangular base with an octagonal or circular dome. In architectural terminology, it is defined as “triangular inclined surfaces” that establish the relationship between the dome and the underlying structure. This element, offering an alternative to the pendentive system, gained widespread use particularly in Anatolia during the Seljuk, Beylik, and early Ottoman periods, evolving into both a structural and aesthetic solution.


Turkish Triangle (generated by artificial intelligence)

Structural and Geometric Properties

The Turkish triangle consists of triangular inclined surfaces placed at the corners of quadrilateral spaces, narrowing upward. These surfaces serve a dual function: on one hand, they form an octagonal base to support the dome, and on the other, they lean against the walls to act as load-bearing elements. Turkish triangles transmit the load of the dome directly through these triangular surfaces to the main load-bearing walls, thereby preserving the structural equilibrium of the building and ensuring the dome rests evenly and symmetrically.


The fundamental geometric characteristic of this system is its reliance on a surface-based rather than a planar transition. Unlike the concave curves found in pendentive systems, the Turkish triangle employs flat and sloped surfaces. Turkish triangles create a more distinct and geometric perception on the building’s facade. Additionally, this transition method allows for the construction of domes with shorter drum heights, reducing the overall height of the structure and achieving a more compact, massed form.

Historical Development and Applications

The Turkish triangle draws its structural origins from traditional transition techniques of the Central Asian Turks, particularly their tent architecture. Similar to the principle observed in Central Asian domed tent systems—where loads are transferred to the edges—the Turkish triangle disperses the dome’s load toward the building’s corners. This logical continuity was adapted into stone and brick architecture, becoming a distinctive transition element in Turkish-Islamic architecture.


The earliest examples of the Turkish triangle appeared during the Anatolian Seljuk period and became institutionalized within building systems during the Beylik period. It was widely employed in mosques, imarets, and tombs constructed in the 14th and 15th centuries. Notable applications of this transition system include the İznik Nilüfer Hatun Imaret, the Bursa Green Mosque, and the Bursa Emir Sultan Mosque. In these examples, the relationship between the dome’s supporting surfaces and the building’s plan was achieved through the Turkish triangle, emphasizing the dome as a central architectural feature.

Aesthetic, Symbolic, and Spatial Contributions

The Turkish triangle is not merely a structural transition element but also a significant architectural component in the construction of spatial aesthetics. The upward-narrowing geometry of the triangular surfaces generates a strong vertical spatial perception, particularly in worship spaces such as mosques. This sense of ascent reinforces the metaphysical dimension of religious architecture.


Moreover, this transition form influences the distribution of light within the space. Natural light falling beneath the dome reflects off the inclined surfaces, contributing to the illumination of the interior. Acoustically, the sloped surfaces enhance sound reflection, offering advantages for worship and communal spaces. By effectively distributing loads to the walls, the Turkish triangle also enables the construction of domes with larger diameters. In these respects, the Turkish triangle is regarded as both a technical and artistic instrument.

Comparative Evaluation: Differences from the Pendentive System

Although the Turkish triangle and the Byzantine-origin pendentive system perform similar functions, they differ in form and technique. In the pendentive system, transition surfaces are composed of concave geometries, whereas the Turkish triangle employs flat and sloped surfaces. The pendentive is a dome transition system resting on four arches, resulting in transition points that are more localized and confined to specific areas. In contrast, the Turkish triangle spreads its transition surfaces more broadly across the wall surfaces.


This broader surface effect ensures a continuous load distribution and makes it possible to construct domes over larger spans. The central dome’s spatial unity with the rest of the building is more sharply defined through the Turkish triangle. This distinction marks the Turkish triangle as one of the primary determinants of spatial organization in early Ottoman mosques.

Contemporary Reflections

In contemporary architecture, thanks to parametric design and digital modeling capabilities, the Turkish triangle is being reinterpreted as a structural motif. Within this context, Turkish triangle geometries, reconfigured through robotic fabrication techniques, are regarded as part of a synthesis between traditional forms and modern technological approaches in contemporary architecture.

Bibliographies

GZT. "Mimarlık Sözlüğünde Türk Üçgeni." Accessed July 20, 2025. https://www.gzt.com/infografik/arkitekt/mimarlik-sozlugunde-turk-ucgeni-2705

Kalle, S., & Eyüpgiller, K. K. "İstanbul Minarelerinde Üçgenli Geçişli Pabuçlar: Mimari Dönemler İçinde Dağılımı Ve Özgünlük Durumları." *Sanat Tarihi Dergisi*, 31(2), 1487-1515. Accessed July 20, 2025. https://doi.org/10.29135/std.1126746

Tuncer, S. "Mimarlık Tarihi Yazınında Tromp ve Sinan Mimarisindeki Ayrıştırıcı Rolü." Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 40(1), 126-140. Accessed July 20, 2025. https://doi.org/10.32600/huefd.1114274

Uşma, Gökhan. “Osmanlı Dönemi’nde Kubbe ile Kare Mekân Arasındaki Taşıyıcı ve Dekoratif Geçiş Elemanları.” *I. ULUSLARARASI KÜLTÜR VE MEDENİYET KONGRESİ.* Accessed July 20, 2025. https://www.researchgate.net/publication/329377212_OSMANLI_DONEMI'NDE_KUBBE_ILE_KARE_MEKAN_ARASINDAKI_TASIYICI_VE_DEKORATIF_GECIS_ELEMANLARI

Çağlar, Barış, Hakan Oğuz Bor, and Serbülent Vural. “Türk Üçgeninin Parametrik Modellenmesi ve Robotik Üretimi Üzerine Bir Yöntem.” *Karadeniz Teknik Üniversitesi, KTÜ Mimarlık Fakültesi Yayını.* Accessed July 20, 2025. https://www.ktu.edu.tr/dosyalar/ktucodefab_3c6b5.pdf

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AuthorSümeyye Akkanat TerzioğluDecember 2, 2025 at 5:56 AM

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Contents

  • Structural and Geometric Properties

  • Historical Development and Applications

  • Aesthetic, Symbolic, and Spatial Contributions

  • Comparative Evaluation: Differences from the Pendentive System

  • Contemporary Reflections

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