badge icon

This article was automatically translated from the original Turkish version.

Article

Akide Şekeri

Gastronomy

+2 More

Quote
Door
Hard Candy
Kitchen
Ottoman/Turkish Cuisine
Etymology
ArabicAkit Word (Agreement / Loyalty)
Main Components
SucroseCitric AcidNatural Flavors
Varieties
Cinnamon-flavoredRose-flavoredLemon-flavoredSesame-flavoredHazelnut-flavored
Emergence
14th–15th Century (Early Ottoman Period)
Golden Age
18th Century (Gedik System and Guild Organization)
Symbolic Meaning
Loyalty Agreement Between the State and the Soldier
Important Figures
Şekercibaşı Hacı Bekir Efendi
Ritual Use
Janissary Allowance CeremoniesTokat Akit Sherbet
Physical Structure
Glassy and Non-crystallized Saturation Structure
Production Technique
Hacıbekir Cut (Marble Counter and Wick Method)

​One of the most deeply rooted and nostalgic confections in Ottoman culinary culture, akide şekeri is not merely a sweet but a symbolic value where state tradition and popular belief intertwine. Classified among hard candies, akide has historically been regarded as a symbol of social trust, political loyalty, and craft aesthetics.

Etymology and Basic Definition

​The term “akide” is derived from the Arabic root “akit” (contract) or “akid” (bound). 【1】 This naming refers both to the physical structure of the candy and its historical function as a “contract of allegiance.” 【2】 According to the definitions of the Turkish Standards Institute (TSE), akide şeker is a traditional product obtained by inverting sucrose with appropriate acids, optionally adding glucose syrup, cooking it to a specific consistency, and shaping it with natural flavoring agents.【3】

Historical Development

​It is estimated that the history of confectionery in Türkiye extends back to the 14th and 15th centuries.【4】 In early periods, honey and grape molasses were used as sweeteners, but from the late 18th century, the introduction of European "kelle şekeri" accelerated the modern production of akide.【5】 In the Ottoman Palace, this production was carried out by the Matbah-ı Amire’s subsidiary Helvahâne-i Hassa Ocağı.【6】 By the mid-17th century, the Palace’s annual sugar consumption had reached 65 tons, demonstrating the growing importance of these products in the imperial kitchen.【7】

The Akideci Craft Guild

​In Istanbul, the tradespeople supplying the public with sweets were divided into two main groups: akideci and şeker şerbetçi.【8】

  • Number of Shops and the Gedik System: In the 18th century, the number of akideci shops in Istanbul was fixed at 24.【9】 Apprentices trained in the trade could only become shop owners upon inheriting an open “gedik” (business right).【10】
  • Raw Material Struggles: Akideci craftsmen engaged in a prolonged legal battle with the merchants of the Mısır Çarşısı over access to powdered sugar as a raw material.【11】 In 1784, a royal decree granted them the right to purchase sugar directly from any merchant for immediate payment.【12】
  • Non-Muslim and Koltukçu Craftsmen: Non-Muslim confectioners also operated in Istanbul.【13】 Jewish journeymen known as “Koltukçu,” who lacked their own shops and produced lower-quality sweets in their homes, occasionally provoked complaints from the official guild members.【14】

Political Symbolism

​In Ottoman political history, akide şeker served as a “contract of loyalty.”【15】 During the ulufe ceremonies, in which janissaries received their salaries, these candies were used to measure the soldiers’ allegiance to the sultan.【16】

  • The Grammage of Trust: When a new sultan ascended the throne, the weight of the sugar tray presented by the Janissary Agha was interpreted as a measure of loyalty: if it weighed 400 grams, it signified the army’s full confidence in the sultan.【17】 A lighter tray was interpreted as a sign of dissatisfaction and potential rebellion.【18】
  • Tasting the Candy: The sultan personally tasting the candy offered to him signified the renewal of mutual trust.【19】

The Hacıbekir Cut

​By the mid-19th century, a new style emerged in which akide was stretched on marble countertops and cut into bars, known as the "Hacıbekir kesimi" style.【20】 Begun by Bekir Efendi in 1777 in Bahçekapı,【21】 this tradition introduced angular, round, or oval aesthetic forms to akide and earned him the imperial title of “Şekercibaşılık.”【22】

Technical Production Processes and Quality Criteria

Akide Şekeri (Anadolu Ajansı)

​Physically, akide şeker has a glassy, non-crystalline structure.【23】

  • Formulation: To prevent crystallization, 24% glucose syrup or sorbitol may be added.【24】 At the end of cooking, 0.04% citric acid is added to induce inversion.【25】
  • Cooking Methods: In the traditional system, cooking occurs at 168°C in open pots,【26】 whereas modern vacuum systems prefer 138°C to better preserve the product’s gloss and aroma.【27】
  • Hygroscopicity Issue: The greatest challenge for akide is moisture absorption from the air; when it absorbs humidity, its glassy structure becomes dull and opaque, reducing shelf life.【28】

Akide Şekeri in Tokat

​In the Tokat region, akide forms the basis of “akit şerbeti,” consumed in postpartum rituals and commercial agreements.【29】

  • Commercial Notarization: In earlier times, partnerships among Tokat merchants were spiritually sealed by drinking this sherbet as a formal affirmation of mutual trust.【30】
  • Marriage Rituals: During engagement ceremonies, when the bride’s father takes the candy and drops it into a glass, he signals: “Let the akit sherbet be prepared; I give my consent.”【31】
  • Village Candy: Due to its widespread popularity in rural areas during the Republican period, it is also known among the public as “köylü şekeri” (village candy).【32】

Role in Festivals and Celebrations

​In the Ottoman period, during ceremonies such as circumcision and marriage (sûr-i hümayun), statues made from akide şeker were displayed in “Şeker Alayları” (Sugar Parades).【33】 In the 1582 festivities, enormous sugar sculptures were presented to the public.【34】 During Ramazan Bayramı, akide şeker always headed the list of gifts sent by the Grand Vizier to palace personnel.【35】

Citations

  • [1]

    Mutlu Özgen, "Akide Şekerinden Doğan Bir Gelenek: Tokat'ta Akit Şerbeti ve Etrafında Oluşan Ritüeller"Mutlu Özgen, "Akide Şekerinden Doğan Bir Gelenek: Tokat'ta Akit Şerbeti ve Etrafında Oluşan Ritüeller", UDEKAD, 7 (4), 2024, s. 949. https://doi.org/10.37999/udekad.1553608

  • [2]

    Mustafa Kürşat Demir vd., "Klasik ve Vakum Altında Spreylenerek Pişirme Yöntemlerinin Akide Şekerinin Bazı Kalite Kriterleri Üzerine Etkisi", GIDA, 35 (6), 2010, s. 432. https://dergipark.org.tr/en/download/article-file/78508

  • [3]

    M. K. Demir vd., a.e., s. 432.

  • [4]

    Zeynel Özlü, "Osmanlı Saray Şekerleme ve Şekerlemecileri ile İlgili Notlar", Hacı Bektaş Veli Araştırma Dergisi, 58, 2011, s. 171. https://izlik.org/JA84JZ29TK

  • [5]

    M. K. Demir vd., a.e., s. 432.

  • [6]

    Z. Özlü, a.e., s. 171-172.

  • [7]

    Z. Özlü, a.e., s. 173.

  • [8]

    Murat Uluskan, "İstanbul'da Akideci ve Şeker Şerbetçi Esnafı (18. Yüzyıl)", VII. Uluslararası Osmanlı İstanbulu Sempozyumu Bildirileri, 2021, s. 293-294. https://hdl.handle.net/20.500.12723/3799

  • [9]

    M. Uluskan, a.e., s. 295.

  • [10]

    M. Uluskan, a.e., s. 295.

  • [11]

    M. Uluskan, a.e., s. 298.

  • [12]

    M. Uluskan, a.e., s. 302.

  • [13]

    Z. Özlü, a.e., s. 171.

  • [14]

    M. Uluskan, a.e., s. 305.

  • [15]

    M. Özgen, a.e., s. 949.

  • [16]

    Z. Özlü, a.e., s. 181.

  • [17]

    M. Özgen, a.e., s. 950.

  • [18]

    M. Özgen, a.e., s. 950.

  • [19]

    M. Özgen, a.e., s. 950.

  • [20]

    M. Özgen, a.e., s. 950.

  • [21]

    Z. Özlü, a.e., s. 175.

  • [22]

    Z. Özlü, a.e., s. 175.

  • [23]

    Fatih Mehmet Yılmaz vd., "Doğal Renk Maddesi Katkılı Sert Şekerleme Üretimi: Farklı Karbonhidrat Formülasyonlarının Renk, Camsı Geçiş, Higroskopite, Karbonhidrat Kompozisyonu ve Duyusal Özellikler Üzerine Etkileri," GIDA 44, sy. 2, 2019, s. 358. https://dergipark.org.tr/tr/pub/gida/article/492316

  • [24]

    F. M. Yılmaz vd., a.e., s. 359.

  • [25]

    F. M. Yılmaz vd., a.e., s. 361.

  • [26]

    M. K. Demir vd., a.e., s. 432.

  • [27]

    M. K. Demir vd., a.e., s. 433.

  • [28]

    F. M. Yılmaz vd., a.e., s. 365.

  • [29]

    M. Özgen, a.e., s. 951.

  • [30]

    M. Özgen, a.e., s. 952.

  • [31]

    M. Özgen, a.e., s. 954.

  • [32]

    M. Özgen, a.e., s. 950.

  • [33]

    Z. Özlü, a.e., s. 171.

  • [34]

    Z. Özlü, a.e., s. 176.

  • [35]

    Z. Özlü, a.e., s. 177.

Author Information

Avatar
AuthorHacer Feyza YeşildalApril 6, 2026 at 9:59 AM

Tags

Discussions

No Discussion Added Yet

Start discussion for "Akide Şekeri" article

View Discussions

Contents

  • ​Etymology and Basic Definition

  • ​Historical Development

    • ​The Akideci Craft Guild

  • ​Political Symbolism

  • ​The Hacıbekir Cut

  • ​Technical Production Processes and Quality Criteria

  • ​Akide Şekeri in Tokat

  • ​Role in Festivals and Celebrations

Ask to Küre