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This article was automatically translated from the original Turkish version.

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Sivrihisar Surp Yerrortutyun Armenian Church

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Location
EskişehirTürkiye
Year of Construction
First Structure 1650Current Structure 1881
Architect
Minteş Panoyat
Period
19th Century
Material
Red Cut Stone

Surp Yerrortutyun Armenian Church is a historically and architecturally significant place of worship located in the Sivrihisar district of Eskişehir. The church’s name derives from the Christian concept of the “Holy Trinity,” expressed in the term Surp Yerrortutyun. It is regarded as one of the largest Armenian churches in Anatolia.


Sivrihisar Surp Yerrortutyun Armenian Church (Sivrihisar Municipality)

Construction History and Reconstruction

Originally built in 1650, the church suffered extensive damage in a fire that broke out in 1876. It was subsequently rebuilt in 1881 under the leadership of the Armenian Patriarch at the time, Nerses Varjabedyan, by the architect Mintes Panoyat.

Architectural Features

Surp Yerrortutyun Armenian Church stands out as a monumental place of worship reflecting 19th-century provincial architecture. Its most striking structural elements are the two symmetrical bell towers rising on either side, which enhance the building’s verticality and create an imposing silhouette. The use of red-cut stone in construction has endowed the structure with both aesthetic appeal and a distinct regional identity, leading the local population to refer to it as the "Red Church." Although faded over time, traces of frescoes within the interior still remain, demonstrating the integration of religious and artistic decoration. The figurative representations in the frescoes reflect characteristic features of Armenian church art. Additionally, the building includes a baptismal chamber at the rear and a priest’s room in the southern section. This spatial arrangement reveals that the church was designed not merely as a place of worship but as a multifunctional structure serving the community’s religious and social needs.

Façade and Decorative Elements

The west façade is richly adorned with architectural ornamentation. It is divided into three sections by four pilaster-like plaster elements. The entrance is emphasized by a triple pointed arch system. Directly above the entrance are figurative and symbolic reliefs depicting:

  • Angel figures,
  • A dove symbolizing the Holy Spirit,
  • A globe representing the world,
  • The iconographic representation of the Holy Trinity.

Carved cross motifs on the keystones of the semicircular upper windows reinforce the Christian symbolism of the structure. These details illustrate that the building is not merely a place of worship but also a narrative space woven with artistic and faith-based symbols.

Restorations and Inscriptions

Numbers inscribed on the keystones of the windows on the west façade indicate that the church was rebuilt in 1881. Some columns inside the building bear restoration inscriptions referencing different dates. On the second, third, and fourth columns from the northwest corner, the years 1909, 1909/1902, and 1905 are legible. These inscriptions reveal that the structure underwent repairs during different periods in the early 20th century.

Current Condition

Although Surp Yerrortutyun Church remains largely standing physically, its interior has suffered significant damage. Nevertheless, this structure, which still preserves its original architectural details, holds value not only as a place of worship but also as a historical monument bearing traces of the multicultural Ottoman provincial life.

Author Information

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AuthorMeltem SaraçDecember 1, 2025 at 11:57 AM

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Contents

  • Construction History and Reconstruction

  • Architectural Features

  • Façade and Decorative Elements

  • Restorations and Inscriptions

  • Current Condition

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