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This article was automatically translated from the original Turkish version.

Article
Type of geographical indication
Mahreç Sign
Application Date
11.03.2020
Registration Number
774
Registration Date
27.05.2021
Product Group
Handcraft products other than carpetskilimsand textiles
Province
Eskişehir
Applicant/Registrant
Eskişehir Chamber of Commerce

Sorkun Pottery is an original craft product that has survived to the present day as the result of an 800-year-old artisanal tradition in Sorkun Village, located in the Mihalıççık district of Eskişehir. These pots, protected under a geographical indication registration, are produced using methods rooted in nature and traditional knowledge, far removed from the mass production effects of the industrial age.


Sorkun Çömleği (Eskişehir Provincial Directorate of Culture and Tourism)

Geographical Boundary and Production Area

Sorkun Village is a settlement of approximately 500 inhabitants and 80 households, located 12 kilometers from the Mihalıççık district. Almost all residents of this village, situated between the Sakarya and Porsuk rivers, practice pottery in their homes, which function as workshops. This craft serves as a livelihood passed down with mastery from one generation to the next.

Raw Materials and Technical Characteristics

Sorkun Pottery is produced from clay made by mixing red and white earth in specific proportions.

  • Red earth: Extracted from the Aşılık and Kocakızıllık locations, it has a water absorption capacity of 70 percent.
  • White earth: Obtained from the Tilkiinliği, Kabaçam, Tuzla Kayaları and Emircan locations, it contains 69 percent asbestos, imparting a glossy finish to the pottery.


The porous structure resulting from this clay mixture makes Sorkun Pottery resistant to thermal shock. As a consequence of the open-firing method, the interior surfaces are black while the exterior surfaces take on reddish tones.

Production Stages

Sorkun Pottery is produced through six main stages:

  1. Clay Preparation: Red and white earth are dried, dissolved in boiling water, kneaded and left to rest.
  2. Shaping: The pot body is formed using ring and base attachment techniques.
  3. Drying: The pots are dried naturally, either under sunlight or in shaded, well-ventilated areas.
  4. Carving: Surface imperfections are removed by scraping; the interior and rim areas are not touched with water.
  5. Glazing: The fired pots are coated with a red slip to create a glaze.
  6. Firing (Ütme): The pots are completed by firing at approximately 750–800°C in an open area known as a “küllük”.

Regional Variants and Cultural Identity

Sorkun Pottery represents a cultural heritage that preserves Neolithic-era clay shaping and open-firing techniques to the present day. This tradition is linked to the Mother Goddess cult and is sustained by the women of the village.

The typical pot sizes used in the region have remained unchanged for thousands of years:

  • Gıdı: The smallest size.
  • Cin: The medium size.
  • Birerlik: The large size.
  • Kuzuluk: A special type of pot designed for cooking an entire lamb.

Sales and Marketing

The products are sold in Sorkun Village and at the Atlıhan Handicrafts Bazaar in Odunpazarı. The village municipality encourages tourists visiting during the summer months to tour the workshop homes and make purchases. No issues arise in the marketing process, and the products are typically wrapped in paper packaging.

Monitoring and Protection

Sorkun Pottery was registered as a geographical indication on 27 May 2021 under Law No. 6769 on Industrial Property. Monitoring is coordinated by the Eskişehir Chamber of Commerce and involves experts from the Eskişehir Geological Engineers Chamber and the Ceramics Department of the Faculty of Fine Arts at Anadolu University. These inspections are conducted at least once annually.


Sorkun Çömleği Belgeseli (ETOTV)

Author Information

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AuthorElif LaçinDecember 3, 2025 at 9:26 AM

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Contents

  • Geographical Boundary and Production Area

  • Raw Materials and Technical Characteristics

  • Production Stages

  • Regional Variants and Cultural Identity

  • Sales and Marketing

  • Monitoring and Protection

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