Kisve-i Şerif

Kisve is an Arabic-origin word meaning “covering” or “garment.” The term is particularly used in Islamic culture and traditions to refer to the covering of the Kaaba. These coverings, which envelop sacred structures, shrines, or important religious objects, serve both physical protection and symbolic meanings. Today, the expression “Kisve-i Şerife” specifically denotes the black silk covering of the Kaaba.

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The use of kisve dates back to pre-Islamic times. The practice of covering the Kaaba was already present in pre-Islamic Arab societies. However, with the emergence of Islam, this tradition became systematized, and the annual replacement of the Kaaba’s covering evolved into a established custom. The production and replacement of these coverings were carried out under the patronage of various political authorities throughout different periods of the Islamic world.

During the Abbasid, Mamluk, and Ottoman periods, the production of kisve became a centralized state responsibility. From the 16th century onward, the Ottomans produced the Kaaba covering annually in Istanbul and sent it to Mecca. This duty was carried out with great seriousness by the Darüssaade Ağası and the skilled artisans of the imperial palace.

Traditionally, kisve is woven from black silk and adorned with Quranic verses embroidered in gold and silver thread. The main fabric panel of the covering is called “Kisve-i Şerife,” while the separate piece covering the door is known as “Sitâre” and holds particular significance. During the Ottoman period, these textiles were produced in specialized workshops within Topkapı Palace and then dispatched to the Hijaz via pilgrimage caravans.

Today, kisve production continues in a specialized facility in Mecca, Saudi Arabia. Modern technology supports the process while preserving traditional craftsmanship.

Kisve is not merely a physical covering; it is also regarded as a symbol of unity, sanctity, and religious devotion within the Islamic world. Each year during the Hajj season, the old covering is ceremonially removed and replaced with the new kisve. This practice is seen as both a spiritual milestone for pilgrims and a visible expression of the Islamic ummah’s reverence for the sacred site.

Today, old kisve fragments are preserved in museums across Islamic countries and in religious collections. These pieces hold high value both aesthetically and spiritually. In Türkiye, fragments of historical kisve are displayed at the Topkapı Palace Museum and in the collections of certain mosques.